Welcome to Steadicamtrinity.com the home of Dominic Jackson – Steadicam Trinity Owner/Operator.

This page will hopefully introduce both Dominic and the revolutionary Arri Trinity Steadicam.

Dominic Jackson is an in demand Steadicam owner/operator based in the UK, and works on a variety of film and television productions for a multitude of production companies throughout the UK, as well as worldwide. He is as at home on a feature film, as he is on live Television, and continues to deliver the very best in creative shot development and operation of the Steadicam and Steadicam Trinity.

The Steadicam Trinity is the brainchild of Curt Schaller and was initially based upon the FoMa Maxima. The Steadicam Trinity offers three axis stabilisation enabling shots that were originally never thought possible. Unlike other stabilised heads, the Steadicam Trinity offers the ability to push through small areas on a horizontal plain, enabling fluid and continuous shots through windows or small openings, as well as making seamless transitions between high and low mode in a forward motion. The stabilised head means horizon issues are a thing of the past, even in the most treacherous of conditions.

A client commented recently ” the next thing you will be saying, is that it can shoot around corners”, in fact it can…

Dominic Jackson continues to be one of the very few pioneers internationally of the new Arri Steadicam Trinity and continues to help Curt continue to develop this revolutionary device.

Feel free look around the site and do not hesitate to contact Dominic with any questions you may have.

TRINITY  MODES

  • STEADICAM

    The Steadicam Trinity is a 3 -Axis Hybrid head, combined with classic free flowing capabilities that are synonymous with Steadicam. Not only does this give the operator the ability to transition between high mode and low mode in a single fluid movement, but it enables the operator to position the camera in hard to reach areas as well as look around corners when tracked into a contained environment.

  • VEHICLE MOUNT

    The Steadicam Trinity can combine with most existing vehicle mounts, giving super stabilised footage as well as complete remote 3 axis control over the camera.

  • HAND HELD

    The Steadicam Trinity  combined with the Maxima X30 transforms the Trinity into a super fluid, handheld gimbal. A completely different feel to that when mounted on Steadicam, the mount enables the passing of the rig from one operator to another in a single fluid movement.

  • CRANE OR WIRE MOUNTED

    The Steadicam Trinity can combine with most existing crane or wire mounts, giving super stabilised footage as well as complete remote 3 axis control over the camera, with the added flexibility that is offered by any crane or wire mount on the market.

RECENT CREDITS

Below is just a selection of the Steadicam credits I have worked on over the past few months, for various television dramas, commercials, documentary and live TV broadcast. Please see my credits page for a full list.

  • The Grand Tour Pilot – Amazon TV
  • Robot Wars – Mentorn Scotland
  • Strictly Come Dancing – BBC
  • Rio Olympics – BBC
  • Michael McIntyres Big Show Promo – Electric Robin
  • Lipsync Battle UK – Channel Five
  • Frankie Boyle American Autopsy – BBC

DRY HIRE

I have a full catalogue of broadcast equipment available for dry hire. Below is a small list but feel free to see the equipment page for a full list of camera, steadicam and wireless RF dry hire rentals.

  • Steadicam Artemis Dry Hire
  • Box Meridian Wireless RF Dry Hire
  • Sony P1 Dry Hire
  • Steadicam Ultra Hire
  • P&S Technik 3D Rig Hire
  • Sony P70 Dry Hire
  • Angenioux Optimo Rouge Dry Hire

Working on productions worldwide for the following

What the filmmakers make of the Trinity.

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Markus MeyerCEOFloorfilla Media

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Susan ChariceCTOMambajuice

The Trinity enables film makers to move the camera in a way never thought possible!

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